In 1961, Nureyev introduces the Parisian public to the Kingdom of the Shades. As part of the production, The Royal Ballet’s corps de ballet will be performing The Kingdom Of The Shades, where all 24 corps de ballet dancers move in complete synchronicity – requiring perfection of poise and an abundance of skill to make the whole thing look effortless. The Kingdom of the Shades, Act III of Petipa’s La Bayadère, is one of the most celebrated moments in classical ballet.Mesmerizing and dream-like, the sequence involves the entire corps de ballet dancing across the stage in perfect unison. This scene – known as the Kingdom of the Shades – is revered in ballet circles as the template for the art form’s most iconic moments. "The Kingdom of Shades" scene from the ballet "La Bayadere" The Kingdom of the Shades, is one of the most celebrated excerpts in all of classical ballet, and it is often extracted from the full-length work to be performed independently. Royal Danish Ballet Dans2Go: Chroma, The Unsung, La Bayadère – The Kingdom of the Shades Royal Theatre, Copenhagen 28 February and 1 March 2013 kglteater.dk. As is the case for most of Marius Petipa’s ballets, La Bayadère remained unknown in the West because the 1950 s’ «Iron Curtain» put a halt to all cultural exchanges. «Баядерка», Bayaderka) is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus.The ballet was staged especially for the benefit performance of the Russian Prima ballerina Ekaterina Vazem, who created the principal role of Nikiya. The ballet company performing in this ballet video include Royal Winnipeg Ballet. The Royal Opera House première of The Kingdom of the Shades was a huge success and is considered to be one of the most important events in the history of ballet. The Kingdom of the Shades scene in Act II is one of the ballet's highlights, in which a series of arabesques across the moonlit stage demonstrates the strength of the corps de ballet and the beauty of Marius Petipa's choreography. And, of course, the mesmerising procession of white tutu-clad corps de ballet dancers performing a series of 39 arabesques in unison across a moonlit stage during The Kingdom of the Shades has become La Bayadère’s most admired scene. The Royal Danish Ballet’s Dans2Go, year 3. This page features a ballet video titled La Bayadère: Kingdom of the Shades. The Royal Ballet www.roh.org.uk/productions/la-bayadere-by-natalia-makarova The Kingdom of the Shades scene in Act II is one of the ballet's highlights, in which a series of arabesques across the moonlit stage demonstrates the strength of the corps de ballet and the beauty of Marius Petipa's choreography. The Kingdom of the Shades scene in Act II is one of the ballet's highlights, in which a series of arabesques across the moonlit stage demonstrates the strength of the corps de ballet and the beauty of Marius Petipa's choreography. Choreography featured in this video is by . La Bayadère ("the temple dancer") (ru. The Kingdom of the Shades in Natalia Makarova's La Bayadère. 'If you don't like Bayadere, you don't like ballet'. The Kingdom of the Shades from the Royal Ballet's La Bayadère. The revelation came about in 1961, when the Kirov Ballet was on tour in Paris and London.. It remained unknown in the West until the Kirov Ballet toured with the Kingdom of the Shades scene in 1961. However, it would not be for another nineteen years that the first full-length western production of La Bayadère would be staged when, in 1980, Natalia Makarova staged that very production for American Ballet Theatre.